Review: Noche Andaluza

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The outstanding premier of Ballet Flamenco de Andalucía fulfilled the expectations of the Spoleto Festival USA audience. The vitality and sensuality of the dancers made the “Noche Andaluza” (“Andalusian Night”) performance a delightful introduction into the secrets of Andalusian dancing.

Colorful dresses, clean dancing and live music harmonized in a show that had its strongest moments when the whole company danced together. Even though part of the essence of flamenco dancing is its spontaneity, the synchronization and elegantl interaction between female and male dancers gave energy and rhythm to the presentation.

The guest dancer (Pastora Galván) had an evident control of her body. Her power, security and attitude seemed to say that she could do anything she wanted to. She showed, in each step, why she has her own avant-garde style.

That is precisely why one of the finest moments of the show was the one in which Galván dances on one side of the stage, while the company is on the other. Traditional and avant-garde flamenco dancing were shown together to give the viewer a taste of the infinitive possibilities of the Spanish style of dancing.

The style of the show changed, though, when the choreographer and artistic director Rubén Olmo, appeared on the stage. His thin figure and his extremely versatile dancing capacity gave him the possibility to freely and delicately jump through the stage as if he were a bird in the act called “El Vuelo” (“The Flight”). Olmo’s solo pause the energetic rhythm experienced before and makes a good transition for the ending.

The show rightly finished with a more spontaneous scene in which the musicians had the possibility to sing and dance at the center of the stage, while the company surrounded them keeping the rhythm with their claps. This act highlights the importance of music for flamenco and especially the role that this Spanish has as an art manifestation truly encrusted in Spanish culture.

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