About Vinny Y. Huang

Design, costume, fashion, and everything nice & pretty.

A Celebration of Clothes and All That Comes With It

Review of “Love, Loss, and What I Wore” at the Woolfe Street Playhouse.

If there was one person who knew exactly what to say about today’s American women, it had to be Nora Ephron.

Most people know about Nora from her famous “I feel bad about my neck” piece in Vogue. In “Love, Loss, and What I Wore,”  a play written by Nora and Delia Ephron based on a book of the same name by Ilene Beckerman, the siblings make jokes not only about necks, but also bras, purses and Eileen Fisher.

Presented by the Village Repertory Co. at the Woolfe Street Playhouse, (a perfect venue for a “ladies’ night” accompanied with wine and besties) “Love, Loss, and What I Wore” is a story about women’s anonymous everyday relationships—mothers, step-mothers, husbands, ex-husbands, etc., and how they are always, somehow, associated with clothes.

As a series of monologues, the play is delivered by a rotating cast of five women. If Nora and Delia’s sharp but lighthearted lines are the cornerstones, it is the performances of the five actresses that really trigger the audience.

“Oh My God—I look like my mother!”
“Who did I think I was when I bought this?”
“Who did the salesgirl think I was when she talked me into buying this?”
“I can’t zip this up only because I’m having my period.”

When one actress was speaking, the other four would watch and react. There are a lot of collective memories, laughs and a bit of tears among the cast and the audience.

It’s a night to honor Diane von Furstenberg’s wrap dresses, gay marriage, classic black, Madonna, but most importantly—women.

When the play premiered off Broadway in 2009, it was described as “the Vagina Monologues without the vagina.” Apparently, the “monologues with clothes” work just as well and intimately. Maybe it’s because every woman knows that at the end of the day she always has her clothes.